Erick Swenson’s Ne Plus Ultra poses the decaying skull of a deer as a cryptic relic. Swenson captures every uncomfortable detail: white flesh peeled, exposing raw tissue and weathered bone. Cast in resin, Swenson’s sculpture doesn’t exude the expected revulsion of gore, but rather a beatific reverence. In its serene otherworldly aura Swenson’s perished beast evokes a more horrific haunting as a torn cheek reveals a row of carnivorous teeth, and flayed brow appears embossed with mysterious scrimshaw. Through attenuate craftsmanship, Swenson merges ideas of the romantic sublime with chilling surrealism, creating an object suggestive of dark fiction.
martedì 22 dicembre 2009
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